NEW: Check out The Atomic Grog’s annual calendar for all the major events across the world of Tiki culture. This list also includes rum events, plus modernism, surf and rockabilly music, Disney and other happenings of interest to the Tiki community. It will be continually updated throughout the year, so check the link below for The Tiki Times main page frequently: UPDATES: FULL 2020 EVENTS CALENDAR
Once again, The Atomic Grog documented an entire 12 months of events in 2019, following the top Tiki and rum events, plus mid-century modern, surf and rockabilly music, Disney and other happenings of interest to the Tiki community. Check below for official artwork and links to the official sites along with our own unique coverage. Under many events, you’ll also find images and videos from social media plus links to news sites. NEW EVENTS: UPDATED 2020 CALENDAR Social media:Facebook | Twitter | Instagram | Pinterest
Jan. 19 – The Mai-Kai Takeover in Fort Lauderdale. Special event: ‘Demerara Rum – The Mai-Kai’s Secret Weapon’ The Atomic Grog was pleased to present a special happy-hour talk during The Mai-Kai Takeover event on Jan. 19, presented by the Magical Tiki Meet-Up and Retro Rekindled. Click here to check out our full event recap, including photos and highlights of our Demerara rum discussion.
A famous jolly old man with a white beard is gearing up for his annual appearance to spread good tidings and cheer this week. However, there’s another distinguished gentleman with a white beard and colorful garb who has already created enough spirited revelry to last well into 2020.
Launching the week of Thanksgiving, both of these over-the-top, kitschy concepts have become a seasonal ritual and show no signs of slowing. The bars are fully immersive and can be enjoyed on many levels, from the snobbiest cocktail enthusiast to newbies just looking for seasonal fun, food and frivolity.
We caught up with “The Bum” during a break from his busy schedule making personal appearances and overseeing the Sippin’ Santa empire. His flagship bar, Latitude 29 in New Orleans, is in good hands under the leadership of “Mrs. Bum,” Annene Kaye, along with head bartender and GM Brad Smith, who did most of the heavy lifting in creating the latest Sippin’ Santa menu.
5 QUESTIONS WITH JEFF ‘BEACHBUM’ BERRY
There seems to be an insatiable demand for holiday-themed bars nowadays. Why do you think this has become a trend?
Tiki bars give you a tropical mini-vacation, and when you pile Christmas vacation on top of your tropical vacation you get two holidays in one: twice the atmosphere, twice the flavors, and hence twice the fun.
How do you think Sippin’ Santa differs from Miracle?
Miracle is strictly a Christmas pop-up, while Sippin’ is just as Christmasy but with an added Tiki overlay.
How much input do you have on the drinks, and how much is Brad?
It varies year to year. Last year the drinks were some mine and some Brad’s, but this year the recipes are all Brad’s. I did some tasting and some tweaking, but in most cases Brad’s “first draft” was the one we went with. If it ain’t broke, don’t fix it!
On April 20, The Hukilau announced that its 19th annual Tiki weekender scheduled for June 3-7 in Fort Laduerdale was being postponed by the coronavirus pandemic. In its place will be a series of events across the country aimed at raising money for Tiki bars devastated by shutdowns. Click the link below for more info.
Rooms at the B Ocean Resort on Fort Lauderdale Beach are filling up fast following the late December announcement that The Hukilau would be returning to the former Yankee Clipper property for its 19th annual Tiki weekender in June.
In four months, hundreds of Tikiphiles will swarm the historic Mai-Kai restaurant and beachside B Ocean Resort in Fort Lauderdale for The Hukilau. But first, they need to score tickets and passes for the whirlwind weekend of retro-themed festivities. The event space is more intimate than last year, so it would not be a bad idea to jump on tickets now. >>>> What you need to know about The Hukilau 2020
The Hukilau 2020 will be held June 3-7 at the B Ocean Resort and The Mai-Kai restaurant in Fort Lauderdale. Featuring live music and retro-themed performances, educational symposiums, vendor marketplace, rum and Tiki cocktail classes, plus more than a dozen top Tiki bars and bartenders from around the world. * TheHukilau.com | Facebook: Page and Group | Instagram
Reservations must be made via the link on TheHukilau.com and not directly through the hotel to receive a special rate and placement in the event’s room block. Tickets and passes are scheduled to go on sale Feb. 3 at 7 p.m. Eastern time. Look for further announcements on the blog regarding the entertainment lineup.
The Hukilau promises most of the same core features from years past. The five-day party will include the Tiki Treasures Bazaar, informative symposiums, the Okole Maluna Cocktail Academy, guest pop-up bars, pool parties, the Friday night High Tide Party at the hotel, plus the Saturday night main event at The Mai-Kai. While there will be no Tiki Tower Takeover event without the towering Pier Sixty-Six venue, the website hints at a possible beach party.
The Hukilau’s room block is almost completely filled and some dates are unavailable, but more rooms should be coming into the system soon, according to Richard Oneslager, now in his fourth year as the event’s lead organizer as well as owner. When more rooms are added, there will be an official announcement.
To keep that promise, the search was obviously not taken lightly. The Hukilau’s many fans of vintage Tiki and mid-century history should be pleased with the return to the hotel that hosted The Hukilau four times before (2006, 2007, 2008 and 2013), and in recent years served as the “overflow” locale when Pier Sixty-Six filled up. With a much larger room inventory and refreshed appearance, the B Ocean is poised to host a full house of revelers this year.
In addition to its Hukilau history, the popularity of the B Ocean Resort is tied intrinsically to Marina the Fire Eating Mermaid, who has become a retro culture fixture over the past decade after reviving the hotel’s underwater swimshows in the vintage Wreck Bar, with its porthole views of the swimming pool.
The hotel traces its roots back to 1956 (five months before The Mai-Kai opened 8 miles to the northwest) as a revolutionary resort designed to look like a steam ship. After dozens of refurbishments, large and small, that same basic exterior design remains along with the nautically themed Wreck Bar.
The concept of a “V”-shaped hotel that looked like an ocean liner was conceived by the Yankee Clipper’s original owner, South Florida hotelier and tourism pioneer Bob Gill, and executed by Miami architect M. Tony Sherman, who around the same time was also designing the original Tropicana resort in Las Vegas.
The $1.5 million Yankee Clipper debuted in July 1956 and was among the first hotels on the beach to remain open year-round and feature air conditioning. Among its many famous guests was another “Yankee Clipper,” baseball great Joe DiMaggio, along with his wife Marilyn Monroe. During the ’50s and ’60s, the hotel was the home of the New York Yankees during spring training.
South Florida’s Skinny Jimmy Stingray and his band rocked The Molokai bar during a special Retro Rekindled monthly community gathering at The Mai-Kai in Fort Lauderdale on Dec. 15. The live set followed a presentation with The Atomic Grog’s Hurricane Hayward about the guitarist’s musical journey from punk to instrumental surf.
UPDATE: Below you’ll find a video of the entire presenation, followed by four multi-camera videos of songs performed by Jimmy and his band. Mahalo to Sergio Figuera of Prime Photo & Video for the great job with the videography.
During the 34-minute talk, Skinny Jimmy spoke about his early days in Michigan playing in rock ‘n’ roll cover bands, his introduction to punk rock, and his eventual move to Florida. After many years in punk bands, he reinvented himself as a surf guitarist.
Following the interview, Skinny Jimmy and his band – Frenchy on bass and Kevin on drums – played a full set for an appreciative Retro Rekindled audience. Four of the songs have been released on YouTube, the first proper videos featuring the current band lineup.
The first song released was an original that has been part of Skinny Jimmy’s repertoire for years …
The explosion of festive Christmas pop-up bars continues this season with the always popular Miracle concept now topping 100 locations across the United States, Canada and six other countries. Meanwhile, Tiki enthusiasts have even more holiday cheer in store for them as Beachbum Berry’s Sippin’ Santa, a sister concept to Miracle helmed by the esteemed tropical cocktail guru, has quickly doubled its nationwide reach.
Miracle and Sippin’ Santa locations are opening in late November and running through New Year’s Eve. Individual locations may have different start and end dates, as well as daily and weekly hours. Check with the bars in your area for details.
The Miracle concept is the brainchild of Greg Boehm of Cocktail Kingdom (at the suggestion of his mother) and dates back to the “Miracle on Ninth Street” pop-up at his Mace bar in New York City in 2014. Miracle expanded to four bars in 2015, then went worldwide in 2016 under the leadership of general manager Joann Spiegel. Last year there were more than 80, a surge from around 50 the year before.
Berry is a longtime collaborator with Boehm, who published the author’s last two books as well as a nifty line of Tiki barware. Named one of Imbibe magazine’s 25 most influential cocktail personalities of the past century, Berry joined forces with his Latitude 29 general manager and head bartender Brad Smith to create a menu of holiday-themed Tiki cocktails that will be the star of the show all Sippin’ Santa locations.
Many of our favorites are back on this year’s Miracle menu: Bad Santa, Christmas Carol Barrel, Christmopolitan, and Yippie Ki Yay Mother F****r! Be aware that most of the cocktails have seen updates, large and small, by Miracle mixologist Nico de Soto. The Barrel is now a tequila drink featuring Mexican spices and liqueurs including coffee, orange and cognac. One new cocktail has been added: SanTaRex featuring rye whiskey and served in a nifty Tyrannosaurus Rex mug. There’s also a new shot, Mistletoe, featuring rye and gingerbread spices.
But we’re even more excited to get our first taste of the nine exclusive Sippin’ Santa cocktails, created by Berry and Smith. Who doesn’t want to try these soon-to-be Tiki holiday classics?
Christmas Eve of Destruction (overproof dark rum, lime juice, nutmeg syrup, Bénédictine, Angostura bitters) Don & Victor (Martinique & Jamaican rums, Italian bitter aperitif, sweet vermouth, D&V Batter, nutmeg) Festivus Flip (bourbon, Demerara rum, ginger-infused amaro, pomegranate, egg) Jingle Bowl (Jamaican & Demerara rums, apple brandy, amaro, lemon juice, orange juice, pineapple juice, maple & cinnamon syrups, Angostura bitters) Kris Kringle Colada (dark Jamaican rum, amaro, allspice dram, lime juice, pineapple juice, cream of coconut) Papa Noel (blanco tequila, apricot brandy, lime juice, pineapple juice, orgeat, cardamom bitters) Rudolph Shoots the Curl (herbal mint liqueur, amaro, dark chocolate liqueur) Shaka Kalikimaka (London dry gin, allspice dram, orange & cognac liqueur, lime juice, falernum, cranberry syrup, Herbsaint) Sippin’ Santa (aged Demerara rum, amaro, lemon juice, orange juice, gingerbread mix) * Download sample menu (PDF)
Skinny Jimmy’s Picks: The all-time top 5 Dick Dale songs
Dick Dale, the King of the Surf Guitar, was a rock ‘n’ roll legend for more than 60 years until he sadly passed away in March at age 81. He has been a major influence on the music I have played and written for the past 15 years. Of all the music he created, I have chosen these five songs that stand out as my favorites.
Undisputedly THE Dick Dale song of all time. Upon its release it was uncommon, ground-breaking, and some serious wild-ass aggressive guitar for 1962. Miserlou turned heads all over the country and became an inspiration to every rock ‘n’ roll guitarist, then and now. Its musical impact has not diminished with time. Miserlou will always live on as the legacy of Dick Dale.
We knew him as the “King of the Surf Guitar,” the 1960s rocker whose version of Miserlou in the film Pulp Fiction revived both his career and the entire instrumental surf genre in the 1990s. But he was so much more than that.
He was an American music icon, the originator of a style and sound that has endured for more than a half-century, and a true hero for fighting medical hardships that kept him on stage and performing into his eighth decade on Earth. Dick Dale left this world on March 16, 2019, at age 81. More below: Dick Dale in South Florida * Check out our tribute featuring South Florida remembrances and photos
Dick was still performing right up until his death, though the circumstances were less than ideal due to extensive medical bills. His website still lists the dates he would have played had he not succumbed to the diseases that wrecked his seemingly indestructible body. The final show that was posted would have been just this month (Nov. 9), ironically in one of the world’s surfing capitals: Malibu, Calif.
He had survived several bouts with cancer and related diseases, including a near-fatal incident in the 1960s that inspired Jimi Hendrix to pen the lyric “we’ll never hear surf music again” in Third Stone from the Sun (1968). But Dick’s final battle was not one he could win.
Heart and kidney failure finally did him in after a lifetime of battling – and overcoming – every physical obstacle that came before him.
Born Richard Monsour in Boston on May 4, 1937, he first learned the ukulele and absorbed the traditions of his Lebanese father and Eastern European mother. He has said that he also learned the trumpet, banjo, piano, organ, harpsichord, trombone, saxophone, harmonica, xylophone and accordion. But once he heard big-band drummer Gene Krupa, it was all over and his course was set. Not on drums, an instrument he also mastered, but as a guitar pioneer.
When his family moved to Los Angeles in the 1954, he dove head-first into Hollywood. His first on-screen role was an uncredited bit as an Elvis Presley impersonator in the Marilyn Monroe movie Let’s Make Love. He started in the music biz in 1955 as a DJ, then played alongside Johnny Cash, Ernest Tubb and Gene Autry on a country music TV show. The stage name Dick Dale was reportedly given to him by radio/TV host Texas Tiny Cherry.
But surf music became Dick Dale’s claim to fame, a sound he invented to emulate the surge of the ocean. He developed a guitar style featuring melodies that crisscrossed the beat like a surfer on a wave. His intense staccato picking style, combined with Eastern scales from his childhood influences, made for a sonic experience like no other.
To match his sonic fury, he needed equipment that didn’t even exist at the time. Electric guitar pioneer Leo Fender joined forces with Dick to build a new instrument – dubbed “the Beast” – that could withstand the onslaught. To complete the package, they developed the first 100-watt amplifier, loud enough to fill any venue Dick Dale played.
In the late ’50s and early ’60s, Dick Dale and the Del-Tones rode the wave of instrumental rock to the top of the charts. In 1963, he performed Misirlou, an adaptation of a traditional Arabic song, on The Ed Sullivan Show, one of the most influential TV variety shows of the day. He was the first rock guitarist invited to perform on that national stage, though he was later eclipsed by The Beatles, who famously made their U.S. debut on that same show.
After 10 years, we know what to expect from The Mai-Kai’s infamous Hulaween party: A night of kooky costumes, rockin’ tunes and many cocktails consumed in the legendary Polynesian restaurant’s Molokai bar. The 2019 bash, held Oct. 25, lived up to those standards.
The 11th annual Hulaween, themed “Luau of the Living Dead,” featured South Florida’s favorite roots rock band, Slip and the Spinouts, playing three raucous sets. The dance floor was hoppin’ all night as guitarist/vocalist Slip Mahoney led his three-piece band through classic covers and his own original tunes.
The bar was decked out in creepy cobwebs and other decor while the signature Molokai Girls got into the spirit while keeping the food and drinks flowing. Halloween tunes got everyone warmed up for the first set by the Spinouts, which also included bassist Noah Hall and drummer Tony Tomei. It was the band’s ninth Hulaween appearance.
After the band’s second set, it was time for the always creative costume contest, with $600 in cash and prizes to the winners. The Mai-Kai’s manager, Kern Mattei, and marketing director, Pia Dahlquist, presided over the creepy chaos of the costume parade.
Editor’s note: This is the first in a series of special features on instro surf music by Skinny Jimmy Stingray, a guitarist and longtime fan of vintage instrumental rock. This and all of his future columns can be found here.
When the moon is bright and the shadows grow long, sounds that echo send a chill through the night. Nothing echoes quite as ghoulishly as the sound of a reverb-soaked electric guitar.
Let me strike a chord to remind you, the surf guitar world is full of sinister sounding musical creations. The nature of this music lends itself to a foreboding intensity. This has always been a part of my intrigue with instrumental surf guitar. The five songs featured here are only a sampling of a much larger banquet of spine-tingling offerings surf music provides.
1. Peter Lorre by Satan’s Pilgrims
As surf bands go, Satan’s Pilgrims is definitely one of the best out there and has been going strong since the early ’90s. It’s clear that the band is heavily into horror and sci-fi. Peter Lorre is one of my personal favorites. The riffs are ominous, but the music never gets too loud. The lovely, creepy Hammond organ provides the lifeblood that courses through the song. Give it a listen and you will feel what I mean.
2. Unknown by the Vy-Dels
Not much is known about the band but this 1965 song is awesome! Their use of reverb is vital, and the interplay between the lead and rhythm guitars is impeccable. I liked this song so much when I discovered it, I insisted on playing it with my band back in 2013 at The Mai-Kai for Hulaween. It turned out to be a good idea. The band’s obscurity does not undermine the impact of Unknown.