Once again, The Atomic Grog documented an entire 12 months of events in 2019, following the top Tiki and rum events, plus mid-century modern, surf and rockabilly music, Disney and other happenings of interest to the Tiki community. Check below for official artwork and links to the official sites along with our own unique coverage. Under many events, you’ll also find images and videos from social media plus links to news sites. NEW EVENTS: UPDATED 2020 CALENDAR Social media:Facebook | Twitter | Instagram | Pinterest
Jan. 19 – The Mai-Kai Takeover in Fort Lauderdale. Special event: ‘Demerara Rum – The Mai-Kai’s Secret Weapon’ The Atomic Grog was pleased to present a special happy-hour talk during The Mai-Kai Takeover event on Jan. 19, presented by the Magical Tiki Meet-Up and Retro Rekindled. Click here to check out our full event recap, including photos and highlights of our Demerara rum discussion.
In 2018, The Atomic Grog consolidated previous news and events coverage into a comprehensive 12-month calendar that offers dates, links and previews of all the major Tiki and rum events, plus a touch of modernism, surf music, Disney and other happenings of interest to the Tiki community. Below, you can still find the official artwork and links to the official sites. Following the events, the calendar was updated to include images and videos culled from social media, along with some of our own photos and relevant press coverage. We’ve archived this full year of coverage for posterity. UPDATES: 2019 EVENTS CALENDAR Social media:Facebook | Twitter | Instagram | Pinterest
Sept 11-17 – Texas Tiki Week, a celebration of Tiki cocktails and culture in Austin hosted by the local chapter of the United States Bartenders’ Guild. Launched in 2012, the gathering brings together bars, restaurants and brands for an exotic mix of educational, social and philanthropic events. While Texas Tiki Week is centered in Austin, there are satellite events in other cities across the state. * Press coverage: Austin’s turning into a tropical paradise for Texas Tiki Week
It was a year of both sadness and elation, when some legends were lost but the world of Tiki made great strides. As we mourned the deaths in 2015 of musicians Robert Drasnin and Ernie Menehune, plus artist The Pizz, we were bolstered by the fact that a new generation of artists and musicians are taking inspiration from the past and creating an incredible new body of work. And Tiki culture was embraced and celebrated across the country at sold-out events and a whole new wave of bars. After our first year of The Week in Tiki updates, The Atomic Grog takes a look back at the memorable news of 2015. * Keep up with The Week in Tiki: Facebook | RSS feed | See all the past weeks | Archive See below:Month-by-month recap | The Year in Tiki 2015 Awards
The year 2015 marked a turning point in the 21st century Tiki scene. If there was ever a time to declare that the “revival” had become a full-blown renaissance, it’s now. It’s been building for some years now, but last year seemed to be the tipping point. Just look at the evidence in our favorite topics: Events, music, art, cocktails, and culture. Then, take a chronological look back at the biggest news of the year, month by month. Finally, find out our selections for the top artist, band, bar, website, rum, and cocktail of 2015 in our first Year in Tiki Awards.
The top dogs continue to raise their game: The Hukilau moved to the iconic Pier 66 Hotel on Fort Lauderdale Beach and attracted some of Tiki’s biggest names, most notably the gathering of four of the world’s top bartenders for the Tiki Tower Takeover. Tiki Oasis keeps getting bigger, breaking its own attendance records, while newer events such as Mod-Palm Springs and Ohana: Luau by the Sea have carved out their own niche. Rum and cocktail events – such as Miami Rum Renaissance Festival and Tales of the Cocktail – have refined their successful formulas, spreading their message to an even wider audience.
Sad news this week with the passing of artist Stephen Pizzurro, who will forever be known as The Pizz. The September calendar is chock full of Tiki events, from Chicago to Indianapolis to California. There’s also news on Tiki Kon, Disneyland’s Jungle Cruise and next year’s Tiki cocktail showdown at the South Beach Wine & Food Festival. Our regular features spotlight artist of the week The Pizz; Milwaukee surf band The Revomatics; vintage Chicago-area restaurant Chef Shangri-La; and online magazine Punch. The rum of the week, Plantation 3 Stars, is featured in two cocktails: Blue Ricardo and the Allspicy Daiquiri. * Keep up with The Week in Tiki: Facebook page | RSS feed | See past weeks | Archive * Weekly features: Artist | Band/music | Tiki bar | Website | Rum | Cocktail | Events
The Pizz, legend of lowbrow, dies at 57
Stephen Pizzurro, better known in the lowbrow art world as El Pizzo and The Pizz, has died at age 57. The Pizz is considered to be one of the pioneering creators of “cartoon expressionism,” and his influence is felt by an entire generation of artists.
The Pizz was part of a new breed of artists who came of age in the 1960s and ’70s, when cheeky hot-rod culture seeped out of the underground and into mainstream consciousness. Like many others, he was influenced by a wide array of counterculture styles (including Tiki, surf, beatnik, skateboarding, tattoo, underground comics, and Kustom Kulture). But only the most talented bridged the gap into fine art, and The Pizz was one of those rare talents.
His hardcore yet colorful and exotic work was embraced by galleries such as La Luz De Jesus in Los Angeles, where he was a fixture for more than 20 years. Yet The Pizz always kept himself grounded in the lowbrow underbelly, focusing his artwork on cartoonish depictions of hot rods, pinups, and all manner of ne’er-do-wells. He once described his work as “a tumultuous adrenaline-soaked hellride of a lifetime leaving a mountain of debris and unspeakable carnage in its wake. Yeah, it’ll scar your fragile psyche for miles into the hereafter.” The Pizz died Aug. 30 in the same hard and impetuous manner that he portrayed characters on canvas. Instead of pen and brush, his chosen tool was a .357 revolver.