Among the many topics discussed were Jimmy’s favorite bands of the first wave of instrumental surf (late ’50s through mid-’60s) that may not have achieved the fame of some of the genre’s more widely known artists. Before the live set, we treated the attendees to vintage recordings of songs from these artists, whose achievements are no less influential and memorable than their more popular peers.
Here’s the list along with some select YouTube audio. We urge to you find more vintage recordings by these overlooked artists.
Skinny Jimmy’s Picks: 5 underappreciated surf bands of the first wave
By Skinny Jimmy Stingray
My love of instrumental surf music has made me something of an archaeologist, searching for the next obscurity from the vintage surf era that I haven’t yet heard. I couldn’t begin to count just how many bands released instrumental rock ‘n’ roll guitar singles between 1958 and 1964 that are still worth seeking out, if not worth owning in one’s collection.
During this era, there was a vast amount of serious bands producing music – both professionally and as D.I.Y. artists. Many of these bands were important and vital to the scene during their day. However, over the years, they have remained under the radar and lack the notoriety they deserve.
Passes and tickets for The Hukilau 2020 are selling briskly after last week’s announcement of the full entertainment lineup for the 19th annual Tiki weekender June 3-7 at the B Ocean Resort and The Mai-Kai restaurant in Fort Lauderdale.
Our previous report hinted at many of the headliners and new participants while offering up key details on the East Coast’s largest and longest-running gathering of Polynesian Pop culture enthusiasts. Now, with the launching of The Hukilau’s updated website, we can run down the full list of bands, symposium presenters, guest pop-up bars and more.
The biggest news was the reveal of the musical headliners. Returning for their second appearance at The Hukilau are The Surfrajettes from Toronto, Canada. Rising stars on the instrumental surf circuit, these four women have lived up to the hype after exploding onto the scene in 2015. Viral videos propelled their popularity, but their subsequent live performances and signing with Hi-Tide Recordings have proved that this band is more than just an Internet sensation. We were treated to their blend of classic surf, unique covers, and their own originals at The Hukilau 2018, followed by a special appearance at The Mai-Kai last March. Appearances last year at such high-profile events as Nashville Boogie, the Surf Guitar 101 Convention, and Tiki Oasis solidified their place as an event headliner. Look for a new single on Hi-Tide in April.
Perhaps the best known and most popular band to ever play The Hukilau is Los Straitjackets, who graced the festival in 2009 and 2018. While the masked marvels of instrumental rock won’t be returning in 2020, two of its key members will jam out this June in Fort Lauderdale. Guitarist Eddie Angel, who co-founded Los Straitjackets in 1988, also played The Hukilau with two other bands, The Martian Denny Orchestra and The Neanderthals. The Nashville-based guitarist has also had a longtime career as a sideman and solo artist, appearing on dozens of albums by some of the retro rock scene’s greats, dating back to 1978. At The Hukilau 2020, he’ll perform a solo set at Friday’s High Tide Party, backed the The Hi-Risers. On Saturday at The Mai-Kai, he’ll sit in as a fourth member of the roots rock band from Rochester, N.Y., for a few songs.
The Hi-Risers were formed by guitarist Greg Townson, a member of Los Straitjackets since 2010, and bassist/vocalist Todd Bradley back in 1998. The three-piece band will join forces with Los Straitjackets guitarist Eddie Angel for their first appearance at The Hukilau. For 20 years, the band has been constantly touring, recording and releasing rock ‘n’ roll records with a retro spin. Hi-Tide dropped a new single, Christmas with The Hi-Risers, in December and plans another record before June.
Another Hi-Tide band, Argentina’s Los Freneticos, is making its first appearance at The Hukilau. Founded in 2008, this foursome went against the grain of what was popular in their home country to establish a worldwide following with their mash-up of instrumental rock, surf, spaghetti western, and even a bit of punk. A 2012 debut album, El Playa, was followed by another album and global touring. Hi-Tide put out a third record, Teletransportación, in 2019, propelling the band through a full summer of U.S. festival dates. Another recording is due this spring.
Also new for 2020 is a recently formed “surfxotica” combo, The Manakooras from Charlotte, N.C. Featuring members of surf stalwarts The Aqualads, The Intoxicators, The Penetrators and Satan’s Pilgrims, the band combines their love of exotica, surf, and Hawaiian music by employing distinctive instrumentation including lap steel guitar. The band is joining forces with Hi-Tide to release a record by the time The Hukilau rolls around.
The bands and DJs can be found at the B Ocean on Thursday through Saturday during daily Rum Island pool parties and Friday’s High Tide Party in the hotel’s distinctive Point Room. The Mai-Kai hosts performances during Wednesday’s pre-party, Saturday’s main event, and Sunday’s finale. Performance times will be announced Feb. 15. More below:Symposiums, classes and pop-up bars
While the live performances keep the party rocking, there’s more to The Hukilau for attendees thirsty for “edutainment” covering everything from rum cocktails, to Tiki history, to vintage clothing. A new symposium, Alfred Shaheen: Iconic Hawaiian Textiles ($10), will offer a deep dive into the largest and most innovative mid-century aloha wear manufacturer. Pull Your Head Out of Your Glass! Secret Treasures of Tiki Bars Hiding in Plain Sight ($10) will offer a deep dive “to uncover the wild, weird and wonderful artifacts found in Tiki bars.”
Previously revealed were presentations by music and Tiki historian Brother Cleve (Exotica! The Sound of Tiki, $10), rising New York City bartender Garret Richard (New Traditionalist – Can Cutting-Edge Science Revive Tiki’s Forgotten Cocktails?, $59), and The Atomic Grog’s Hurricane Hayward (How The Mai-Kai Perfected the Modern Tiki Cocktail, $59).
For the fourth straight year, The Hukilau will offer hands-on cocktail classes as part of its Okole Maluna Cocktail Academy. Students will be treated to an all-new slate of courses, such as Where’s the Proof? with bartender and Tiki ambassador Oriol Elias of Spain. Death or Glory owner Ayme Harrison will join forces with Tiki TNT owner Todd Thrasher for Punch Up Your Party – Less Work, More Fun. The most ambitious new class is My Zombie Is Killer!, a “cage match” featuring four bars competing to see who has the best Zombie cocktail. Expanding beyond rum is a new class titled Waiter! What is This Tequila/Whiskey/Gin Doing in My Tiki Cocktail? Tickets for all classes are $59. The symposiums by Richard and Hayward will also count as credit toward a diploma from the academy.
Rooms at the former Yankee Clipper hotel, a famous property that dates back to the mid-century, are filling up fast. [See previous story] The Mai-Kai is already accepting reservations for its popular dinner shows on Saturday, June 6, when The Hukilau’s villagers turn out in full force and typically sell out several seatings of the Polynesian Islander Revue.
Tonight, The Hukilau will lauch an updated website around 7 p.m. Eastern time, opening up sales of multi-day passes and tickets to popular symposiums, rum tastings, cocktail and craft classes, and reserved seats for special swimshows featuring Marina the Fire Eating Mermaid in the hotel’s Wreck Bar.
The event space at the B Ocean (or “The B” as some like to call it) is more intimate than the expansive Pier Sixty-Six Hotel & Marina, home to The Hukilau from 2015 through 2019. So it would not be a bad idea to jump on passes and tickets now.
The Hukilau 2020 will be held June 3-7 at the B Ocean Resort and The Mai-Kai restaurant in Fort Lauderdale. Featuring live music and retro-themed performances, educational symposiums, vendor marketplace, rum and Tiki cocktail classes, plus 20 top Tiki bars and bartenders from around the world. * TheHukilau.com | Facebook: Page and Group | Instagram
Many of the key performers, including the headlining bands, are being kept tightly under wraps until today’s reveal. But we were able to squeeze a few details out of The Hukilau’s master planner, Richard Oneslager, and will share what we know below. Check back later for a full preview.
Here then, are 10 things you need to know about The Hukilau 2020 as passes and tickets go on sale:
1. PASSES: There are several changes to the multi-day pass structure from past years to streamline and make everything a bit less confusing, Oneslager said. Gone is the Big Kahuna pass, leaving three options: * South Seas pass (5 days): The top-tier pass with the most benefits is virtually unchanged from past years. South Seas passholders have access to all five days of the event, including Wednesday’s pre-party at The Mai-Kai. They also get free entry plus food and drinks at Thursday’s two special ticketed events, a cocktail pass for Friday’s High Tide Party, and other exclusive benefits. * Aloha Pass (4 days): This Thursday through Sunday pass includes the Tiki Treasures Bazaar and pool parties featuring free cocktails, admission to the High Tide Party, and more. * Beachcomber Pass (3 days): Formerly known as the Luau Pass, the change was made to avoid confusion with the special event added this year (more on that below). Beachcomber passholders receive admission Friday through Sunday, including the bazaar, pool parties, and High Tide Party. More details on passholder benefits will be revealed on the website. Note that one- and two-day passes may not be offered later if all of the multi-day passes listed above sell out.
2. ARTISTS: The official artist for 2020 is Chicago-based lowbrow illustrator Mitch O’Connell. His flamboyant and colorful artwork can be found everywhere, from major national magazines and newspapers, to album covers of legendary bands, to major advertising campaigns, to fine art galleries around the world. His work is also popular in the tattoo world, with many of his designs appearing in two best-selling books. In addition to the 2020 promotional artwork, O’Connell is designing The Hukilau’s official mug and will likely make appearances during the event. Other artists worth mentioning are Tiki Diablo, who is once again producing distinctive barware for Okole Maluna Cocktail Academy students; and Tiki Tony, who will create a small carving for South Seas passholders.
3. LUAU ON THE BEACH: With Pier Sixty-Six under extensive renovations for several years, The Hukilau is losing one of its signature events. Replacing the Tiki Tower Takeover, which was held in the rotating 17th floor ballroom of the space-age hotel, is something a bit more traditional and Tiki-centric. Thursday night’s headlining event is now a traditional luau on the B Ocean Resort’s private beach. Tickets will be sold a la carte, along with an option of food and/or drinks. South Seas passholders get everything included.
The Hukilau’s 2020 entertainment lineup will be announced on Feb. 3, when event tickets and passes go on sale for the 19th annual Tiki weekender June 3-7 in Fort Lauderdale. While The Mai-Kai remains the nerve center of the Polynesian Pop celebration for the 18th straight year, most of the festivities will be centered at the B Ocean Resort on Fort Lauderdale Beach.
After five years as host hotel, the Pier Sixty-Six Hotel & Marina closed for a years-long refurbishment and re-imagining on the day after The Hukilau 2019. To give you a preview of what you can expect during the whirlwind weekend, following is a look back at last year’s festivities. While this Top 10 list is nowhere near complete in capturing the diversity of activities that encompassed the five-day bash, it offers a snapshot of some of the more memorable moments.
Mahalo to the venues, the organizers, all the participants and (especially) all the villagers who attended. Special thanks to those who provided photos for use below. Here’s a sampling of what we enjoyed, in no particular order …
NEW: Check out The Atomic Grog’s annual calendar for all the major events across the world of Tiki culture. This list also includes rum events, plus modernism, surf and rockabilly music, Disney and other happenings of interest to the Tiki community. It will be continually updated throughout the year, so check the link below for The Tiki Times main page frequently: UPDATES: FULL 2020 EVENTS CALENDAR
Once again, The Atomic Grog documented an entire 12 months of events in 2019, following the top Tiki and rum events, plus mid-century modern, surf and rockabilly music, Disney and other happenings of interest to the Tiki community. Check below for official artwork and links to the official sites along with our own unique coverage. Under many events, you’ll also find images and videos from social media plus links to news sites. NEW EVENTS: UPDATED 2020 CALENDAR Social media:Facebook | Twitter | Instagram | Pinterest
Jan. 19 – The Mai-Kai Takeover in Fort Lauderdale. Special event: ‘Demerara Rum – The Mai-Kai’s Secret Weapon’ The Atomic Grog was pleased to present a special happy-hour talk during The Mai-Kai Takeover event on Jan. 19, presented by the Magical Tiki Meet-Up and Retro Rekindled. Click here to check out our full event recap, including photos and highlights of our Demerara rum discussion.
Rooms at the B Ocean Resort on Fort Lauderdale Beach are filling up fast following the late December announcement that The Hukilau would be returning to the former Yankee Clipper property for its 19th annual Tiki weekender in June.
In four months, hundreds of Tikiphiles will swarm the historic Mai-Kai restaurant and beachside B Ocean Resort in Fort Lauderdale for The Hukilau. But first, they need to score tickets and passes for the whirlwind weekend of retro-themed festivities. The event space is more intimate than last year, so it would not be a bad idea to jump on tickets now. >>>> What you need to know about The Hukilau 2020
The Hukilau 2020 will be held June 3-7 at the B Ocean Resort and The Mai-Kai restaurant in Fort Lauderdale. Featuring live music and retro-themed performances, educational symposiums, vendor marketplace, rum and Tiki cocktail classes, plus more than a dozen top Tiki bars and bartenders from around the world. * TheHukilau.com | Facebook: Page and Group | Instagram
Reservations must be made via the link on TheHukilau.com and not directly through the hotel to receive a special rate and placement in the event’s room block. Tickets and passes are scheduled to go on sale Feb. 3 at 7 p.m. Eastern time. Look for further announcements on the blog regarding the entertainment lineup.
The Hukilau promises most of the same core features from years past. The five-day party will include the Tiki Treasures Bazaar, informative symposiums, the Okole Maluna Cocktail Academy, guest pop-up bars, pool parties, the Friday night High Tide Party at the hotel, plus the Saturday night main event at The Mai-Kai. While there will be no Tiki Tower Takeover event without the towering Pier Sixty-Six venue, the website hints at a possible beach party.
The Hukilau’s room block is almost completely filled and some dates are unavailable, but more rooms should be coming into the system soon, according to Richard Oneslager, now in his fourth year as the event’s lead organizer as well as owner. When more rooms are added, there will be an official announcement.
To keep that promise, the search was obviously not taken lightly. The Hukilau’s many fans of vintage Tiki and mid-century history should be pleased with the return to the hotel that hosted The Hukilau four times before (2006, 2007, 2008 and 2013), and in recent years served as the “overflow” locale when Pier Sixty-Six filled up. With a much larger room inventory and refreshed appearance, the B Ocean is poised to host a full house of revelers this year.
In addition to its Hukilau history, the popularity of the B Ocean Resort is tied intrinsically to Marina the Fire Eating Mermaid, who has become a retro culture fixture over the past decade after reviving the hotel’s underwater swimshows in the vintage Wreck Bar, with its porthole views of the swimming pool.
The hotel traces its roots back to 1956 (five months before The Mai-Kai opened 8 miles to the northwest) as a revolutionary resort designed to look like a steam ship. After dozens of refurbishments, large and small, that same basic exterior design remains along with the nautically themed Wreck Bar.
The concept of a “V”-shaped hotel that looked like an ocean liner was conceived by the Yankee Clipper’s original owner, South Florida hotelier and tourism pioneer Bob Gill, and executed by Miami architect M. Tony Sherman, who around the same time was also designing the original Tropicana resort in Las Vegas.
The $1.5 million Yankee Clipper debuted in July 1956 and was among the first hotels on the beach to remain open year-round and feature air conditioning. Among its many famous guests was another “Yankee Clipper,” baseball great Joe DiMaggio, along with his wife Marilyn Monroe. During the ’50s and ’60s, the hotel was the home of the New York Yankees during spring training.
South Florida’s Skinny Jimmy Stingray and his band rocked The Molokai bar during a special Retro Rekindled monthly community gathering at The Mai-Kai in Fort Lauderdale on Dec. 15. The live set followed a presentation with The Atomic Grog’s Hurricane Hayward about the guitarist’s musical journey from punk to instrumental surf.
UPDATE: Below you’ll find a video of the entire presenation, followed by four multi-camera videos of songs performed by Jimmy and his band. Mahalo to Sergio Figuera of Prime Photo & Video for the great job with the videography.
During the 34-minute talk, Skinny Jimmy spoke about his early days in Michigan playing in rock ‘n’ roll cover bands, his introduction to punk rock, and his eventual move to Florida. After many years in punk bands, he reinvented himself as a surf guitarist.
Following the interview, Skinny Jimmy and his band – Frenchy on bass and Kevin on drums – played a full set for an appreciative Retro Rekindled audience. Four of the songs have been released on YouTube, the first proper videos featuring the current band lineup.
The first song released was an original that has been part of Skinny Jimmy’s repertoire for years …
Skinny Jimmy’s Picks: The all-time top 5 Dick Dale songs
Dick Dale, the King of the Surf Guitar, was a rock ‘n’ roll legend for more than 60 years until he sadly passed away in March at age 81. He has been a major influence on the music I have played and written for the past 15 years. Of all the music he created, I have chosen these five songs that stand out as my favorites.
Undisputedly THE Dick Dale song of all time. Upon its release it was uncommon, ground-breaking, and some serious wild-ass aggressive guitar for 1962. Miserlou turned heads all over the country and became an inspiration to every rock ‘n’ roll guitarist, then and now. Its musical impact has not diminished with time. Miserlou will always live on as the legacy of Dick Dale.
We knew him as the “King of the Surf Guitar,” the 1960s rocker whose version of Miserlou in the film Pulp Fiction revived both his career and the entire instrumental surf genre in the 1990s. But he was so much more than that.
He was an American music icon, the originator of a style and sound that has endured for more than a half-century, and a true hero for fighting medical hardships that kept him on stage and performing into his eighth decade on Earth. Dick Dale left this world on March 16, 2019, at age 81. More below: Dick Dale in South Florida * Check out our tribute featuring South Florida remembrances and photos
Dick was still performing right up until his death, though the circumstances were less than ideal due to extensive medical bills. His website still lists the dates he would have played had he not succumbed to the diseases that wrecked his seemingly indestructible body. The final show that was posted would have been just this month (Nov. 9), ironically in one of the world’s surfing capitals: Malibu, Calif.
He had survived several bouts with cancer and related diseases, including a near-fatal incident in the 1960s that inspired Jimi Hendrix to pen the lyric “we’ll never hear surf music again” in Third Stone from the Sun (1968). But Dick’s final battle was not one he could win.
Heart and kidney failure finally did him in after a lifetime of battling – and overcoming – every physical obstacle that came before him.
Born Richard Monsour in Boston on May 4, 1937, he first learned the ukulele and absorbed the traditions of his Lebanese father and Eastern European mother. He has said that he also learned the trumpet, banjo, piano, organ, harpsichord, trombone, saxophone, harmonica, xylophone and accordion. But once he heard big-band drummer Gene Krupa, it was all over and his course was set. Not on drums, an instrument he also mastered, but as a guitar pioneer.
When his family moved to Los Angeles in the 1954, he dove head-first into Hollywood. His first on-screen role was an uncredited bit as an Elvis Presley impersonator in the Marilyn Monroe movie Let’s Make Love. He started in the music biz in 1955 as a DJ, then played alongside Johnny Cash, Ernest Tubb and Gene Autry on a country music TV show. The stage name Dick Dale was reportedly given to him by radio/TV host Texas Tiny Cherry.
But surf music became Dick Dale’s claim to fame, a sound he invented to emulate the surge of the ocean. He developed a guitar style featuring melodies that crisscrossed the beat like a surfer on a wave. His intense staccato picking style, combined with Eastern scales from his childhood influences, made for a sonic experience like no other.
To match his sonic fury, he needed equipment that didn’t even exist at the time. Electric guitar pioneer Leo Fender joined forces with Dick to build a new instrument – dubbed “the Beast” – that could withstand the onslaught. To complete the package, they developed the first 100-watt amplifier, loud enough to fill any venue Dick Dale played.
In the late ’50s and early ’60s, Dick Dale and the Del-Tones rode the wave of instrumental rock to the top of the charts. In 1963, he performed Misirlou, an adaptation of a traditional Arabic song, on The Ed Sullivan Show, one of the most influential TV variety shows of the day. He was the first rock guitarist invited to perform on that national stage, though he was later eclipsed by The Beatles, who famously made their U.S. debut on that same show.