A journalist and Florida resident for more than 40 years, Jim "Hurricane" Hayward shares his obsession with Polynesian Pop and other retro styles on his blog, The Atomic Grog. Jim's roots in mid-century and retro culture go back to his childhood in the 1960s, when he tagged along with his parents to Tiki restaurants and his father's custom car shows. His experience in newspaper journalism and more than 20 years as an independent concert promoter have given him a front-row seat in the South Florida scene since the 1970s. He promoted hundreds of rock, punk, and indie concerts under the Slammie Productions banner since the early 1990s. A graduate of the University of Florida's College of Journalism and Communications in 1983, Jim was a longtime editor and web producer for The Palm Beach Post before his retirement in 2022. He earned his nickname by virtue of both his dangerous exotic drinks and his longtime position overseeing tropical weather coverage in his stormy home state. Jim now spends his time mixing cocktails, attending events and writing stories for this blog, which launched in 2011. The Atomic Grog extensively covers events, music, art, cocktails, and culture with a retro slant.
The South Florida music scene will lose another outlet for live performances in 2012 when The Monterey Club closes its doors on South Federal Highway near Fort Lauderdale International Airport.
The club’s plans to expand into the adjacent space vacated by the the Orange County Choppers motorcycle shop fell through when the owners were unable to secure financing to acquire a full liquor license. The existing club is a warm and cozy space, but no where near large enough to present the caliber of bands and live events that the owners aspire to.
Over the two years The Monterey was open, it featured such national touring bands as Wayne Hancock, the Nekromantix and Guttermouth but was held back by the club’s small size and isolated location. And its limitation on serving only beer and wine did not provide the necessary operating revenue to make any major enhancements.
A full slate of shows are scheduled for the next two weeks, culminating with a farewell bash on New Year’s Eve featuring Darling Sweets, Los Bastardos Magnificos, The Wholetones and Everymen. Check the official Web site and Facebook pages for the updated calendar of events. Bands interested in performing one last show at The Monterey can e-mail [email protected] or [email protected].
Are you already getting tired of those boring office Christmas parties? Ring in the holiday season with those wild and crazy DJs from Exotica A-Go-Go at another one of their raucous late-night soirees this Saturday at Fort Lauderdale’s world famous Mai-Kai.
Put on your dancing shoes, grab a Barrel O’ Rum and and a pupu platter and prepare to get funky at a very special Huladay Party from 9 p.m. until the wee hours in The Molokai bar. DJs Sensitive Side, James Brown’s Sweat and Mikey “Radio-Active” Ramirez will be spinning a wide assortment of hip-shakin’ soul, garage, punk, R&B, surf and much more.
Santa will drop by with holiday giveaways and likely take advantage of the half-price happy hour drink specials from 10 p.m. until midnight. There’s no cover charge or minimum.
Of course, these are the same guys behind the recent Zombie A-Go-Go at The Mai-Kai in October. See photos and a recap of that bash courtesy of Broward New Times.
It’s a good sign that the blossoming interest in mixology and cocktail culture is reaching mass appeal when exhibits pop up at acclaimed art galleries. One such gallery, the Norton Museum in West Palm Beach, is taking a highbrow approach to an intoxicating topic with a fine art exhibit that premieres tomorrow (Dec. 15) and runs through March 11.
Summer Cocktail Party with English Butler, 1961. Watercolor, gouache, ink on paper by Larry Salk.
Titled simply Cocktail Culture, it’s one of the first multi-disciplinary exhibitions to explore the social rituals of the cocktail hour through the lens of fashion and design. It features more than 150 objects, including attire, accessories, ads, decorative arts, illustrations, photography and more from the 1920s to the present.
The show is like a travelogue through decades of cocktail history, from the 1920s jazz age to today. Each decade features a different cocktail (the Flapper, the Prohibition, etc.), plus period clothing, objects and accessories. Also included are advertising illustrations and movie clips.
It goes without saying that The Atomic Grog is a big fan of any traditional “grog,” and the Yeoman’s Grog at The Mai-Kai is one of the best. But where exactly does the term “grog” come from? And what’s the story behind the Yeoman’s Grog?
Admiral Edward “Old Grog” Vernon. (Portrait by Thomas Gainsborough – from Wikipedia)
In the British Navy, it became tradition in the mid-1600s to grant seamen a daily ration of rum, often replacing the traditional beer, wine, arrack and brandy. In 1731, an official Navy declaration was made granting a daily ration of wine or rum while on foreign stations. The Cocktail Wonk blog features several deep dives into the history of rum in the British Navy.
In 1740, Admiral Edward Vernon – nicknamed “Old Grog” because of the cloak made of grogram (a silk fabric) that he always wore – sought to cut down on rampant drunkenness. So he ordered what by then had become the official daily rum ration of an imperial half-pint (10 U.S. ounces) be diluted with four parts water.
Some years later, when it was believed that citrus fruit prevented scurvy, lime juice was added to the mix along with sugar to improve the flavor. The world’s first proper tropical drink was born, named the “Grog” after Old Grog himself. In the James Beard Award winning book Smuggler’s Cove: Exotic Cocktails, Rum and the Cult of Tiki (2016), Martin and Rebecca Cate pay tribute to a Grog from the 1700s with a recipe featuring 1/2 ounce lime juice, 1/2 ounce Demerara syrup, and 2 ounces of rum. Shake with cubed or cracked ice and strain into an ice-filled old-fashioned glass.
* More on Navy rum: When men were men, and sailors drank Daiquiris
From a classic Don the Beachcomber menu.
Roughly 200 years later, when tropical drinks were all the rage in the mid-century, so were “Grogs.” There was the Colonial Grog from Tiki bar pioneer Don the Beachcomber, Voodoo Grog from Don’s competitor Trader Vic, the Captain’s Grog from the Captain’s Inn (Long Beach, Calif.), and many versions of the Coffee Grog.
But the most famous was easily the Navy Grog, popularized by Donn Beach (aka Don the Beachcomber) and Victor Bergeron (aka Trader Vic), its name and flavor profile paying tribute to the original quaffed on the high seas. Beach is credited with serving it first, dedicating the drink “to the gallant men of the American Navy.” The influence and reach of this classic cannot be understated. Just ask Jeff “Beachbum” Berry, the author and Tiki cocktail archaeologist who dug up most of the aforementioned recipes and published them in his six seminal books and app.
In the introduction to Potions of the Caribbean: 500 Years of Tropical Drinks and the People Behind Them (2014), the influential writer talks about the life-changing moment he had 30 years earlier, “sitting in a restaurant I couldn’t afford while sipping a drink I didn’t understand. The restaurant was Trader Vic’s, the drink a Navy Grog.” The self-described “Tiki nerd” became obsessed with finding out why he liked the drink so much and figuring out where it came from. The rest is Tiki revival history.
The Yeoman’s Grog is a favorite of Tiki historian and author Sven Kirsten, seen here sharing a toast with Hurricane Hayward on New Year’s Eve 2016 in The Mai-Kai’s Molokai lounge. (Atomic Grog photo)
But Berry was just one of many famous (and infamous) figures who were smitten with the Navy Grog. It was believed to be one of Frank Sinatra’s favorite drinks (even though ‘Ol Blue Eyes preferred Bourbon). President Richard Nixon was a fan, sneaking away from the White House to quaff a few after hours at Trader Vic’s in the Capitol Hilton. Not coincidentally, Nixon was a Navy lieutenant who served in the South Pacific. In 2003, record producer Phil Spector enjoyed several Navy Grogs at the Beverly Hills Trader Vic’s the night he murdered actress Lana Clarkson. Court testimony by a Vic’s bartender included reference to the drink’s robust 3 ounces of rum.
Don the Beachcomber’s version also features 3 ounces of rum, and both employ grapefruit and lime juices. The only major difference is the sweetener: Donn Beach preferred his signature honey mix, while Trader Vic used an allspice syrup. Trader Vic’s restaurants use a proprietary “Navy Grog Concentrate,” but Berry has revealed (and taste tests confirm) that this is indeed just a fancy syrup.
Which of the two classics is best depends on who you ask. They’re roughly equal in our estimation. So we checked The Grogalizer, the Tiki home-bartending site that features ratings of some 500 cocktail recipes from Berry and Cate, plus more. With 81 votes, Don the Beachcomber’s version rates 8.2 (out of 10), while Trader Vic’s version scores 7.5 on 22 votes.
Organizers of the largest annual celebration of Tiki culture on the East Coast went straight to the event’s loyal following when it came time to plan the 2012 event. The result? An earlier date and other exciting changes that have just been announced on the event’s totally redesigned website, TheHukilau.com.
The Hukilau, which spent the past five years in early June, now moves to April 19-22 as the result of a poll of its Facebook fans. The earlier date promises milder weather and more separation from the other major summer events.
Activities will again be centered around two beachside hotels plus the legendary Mai-Kai restaurant, which is celebrating its 55th anniversary this month. But months of feedback from Hukilau fans resulted in several changes: More events at The Mai-Kai, a more budget-friendly hotel, and a more laid-back schedule with time to enjoy the company of friends and South Florida’s abundant beaches and beauty.
One thing that hasn’t changed, however, is The Hukilau’s commitment to high-caliber entertainment and educational symposiums. Among the 2012 highlights are: Nashville surf/spy/space supergroup The Martian Denny Orchestra; a symposium on the mysterious Zombie cocktail by influential mixologist and author Jeff “Beachbum” Berry; a hands-on symposium by tattoo artist and historian Paul Roe; and several performances by acclaimed burlesque star Angie Pontani.
Here’s an overview of this magical Polynesian weekend in America’s Vacationland:
If you look hard enough, you’ll find many cool podcasts that offer an unfiltered and independent view of the real world. A previous post profiled some of the top podcasters covering the wide spectrum of the Tiki revival.
Beyond the music, the highlight of great podcasts are the interviews with characters and insiders that you typically don’t get via commercial outlets. Perhaps the most prolific and eclectic interviewer is Koop Kooper, whose weekly Cocktail Nation podcast covers the wide world of “all things hep, swingin’ and swank.”
There are two Planters Punches on the classic cocktail menu of The Mai-Kai in Fort Lauderdale, but one is a lot more special than the other.
The Special Planters Punch is highly recommended. It received 4 1/2 out of 5 stars, putting it near the top of the ratings.
The Planters Punch on the medium menu, however, comes up short. It’s near the bottom of the ratings due to its lack of punch, oddly enough. It’s one of the very few cocktails from the acclaimed bar that aren’t recommended, unless perhaps you’re new to tropical cocktails or just looking for something light but substantial. Unfortunately, it can’t compete with its tasty cousin.
For art fans, the annual Art Basel Miami Beach can be ridiculously overwhelming. Running from Thursday, Dec. 1, through Sunday, Dec. 4, the 10th edition of the “most prestigious art show in the Americas” features more than 260 leading galleries from North America, Europe, Latin America, Asia and Africa showcasing works by more than 2,000 artists of the 20th and 21st centuries.
Art Basel Miami Beach is a sister event to Art Basel in Switzerland, founded in 1970 and called “the Olympics of the art world.” Miami Beach organizers have boasted that their event has eclipsed the original Art Basel in size and popularity, attracting more than 40,000 attendees a year.
Running concurrently with Art Basel is Design Miami, an international design show that also has a sister event in Switzerland. It’s a marketplace for collectible design, where the world’s top galleries gather to present museum-quality exhibitions of 20th and 21st century furniture, lighting and art. It attracts some of the top figures from the worlds of design, architecture, art and fashion.
Hot coffee cocktails provide the perfect ending to an exotic meal in one of The Mai-Kai’s many enchanting dining rooms. While they aren’t as highly rated as the drinks on the mild, medium and strong menus, these after-dinner grogs play an important role beyond their cool collectible mugs.
Tahitian Coffee is easy on the palate, not too strong or overwhelming. Your taste buds may thank you after the onslaught that most likely preceded it. If you’re craving a mellow finale or just need some caffeine for the road, this drink fits the bill nicely.
There are many elements crucial to the appreciation of authentic Polynesian Pop, aka Tiki culture: The history, the architecture, the decor and art, the cocktails. But like the atmosphere of any great Tiki bar, the assimilation of the perfect musical mix cannot be understated.
You can catch many great bands performing at The Hukilau and other major events, but filling your music library with a wide range of songs from the past 50 years can be daunting. Luckily, there are quite a few podcasts that do an excellent job of providing the perfect soundscape. They also giving listeners a chance to sample songs before buying.
Below is a list of our favorites, updated in August 2012 to add the Exotic Tiki Island podcast and GaragePunk Surfcast.
But first, a quick primer. A good starting point for any Tiki music collection is, of course, Seven A. Kirtsten’s The Sound of Tiki. This 17-track collection offers a great history lesson with tracks by exotica forefathers Arthur Lyman, Les Baxter, and Martin Denny plus a visually stunning 50-page booklet (plus Kevin Kidney-designed cover and artwork).
